We call it dancing—but why do you think discotheques are so popular with young women?
I have written before about the innate artistry and sensitivity of tribal women in the Middle East—particularly Persia—that enables them to preserve and refresh their nomadic culture and myths by weaving vibrant and stunningly beautiful rugs. Another gift that women carry is the innate ability to sway their supple bodies sensually—and erotically—to music and the rhythm of the drum. This is a talent lacking in most men, except those of African/Afro Caribbean ancestry.
Through all our layers of so-called civilization women have maintained an overwhelming biological urge to choose the best mate, and to reproduce healthy and strong children. And in most societies they do this by making bold eye contact and displaying their bodies the best way they can. Even in Saudi Arabia—where women’s bodies are covered by a black obayah, and their heads and faced covered by a hijab—the nubile maidens make sure that their obayahs are tailored to the contours of their bodies, and their hijabs are so flimsy that you can see their faces, or reveal their heavily made-up eyes. And repressed as they no doubt are, when they are in all female company, off come the obayahs and hijabs and they dance crazy mad.
When I worked in Saudi Arabia I directed a number of training videos, and my professional American cameraman was invited to big Saudi wedding, and allowed to film the womens’ party. (The receptions are segregated into a male and a female gathering). He described it in detail as the most erotic thing he had ever seen, and I have tried to replay this in my story I’VE NEVER KNOWN A WOMAN WHO WOULDN’T DANCE, in my book THE GULF: “Reaping the Whirlwind”
In true journalistic style my story was authenticated by a woman friend who had worked as a teacher in Saudi Arabia for 9 years and attended a number of weddings.
Out of shame that this is not really a work of fiction, I amended the title slightly from COULDN’T to WOULDN’T and added an imagined beginning and ending to give it context. You can read the full story—and many others about the Middle East—by following my URL:
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