GAY is the saddest euphemism in the English Language

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          For the past 20 years or so there has been a media campaign on behalf of homosexuals that verges on the hysterical. And nowhere is that hysteria more evident than in the Gay Pride parades (and Pride is one of the 7 Deadly Sins – “When pride comes so comes disgrace, with humility so comes wisdom” ) in cities like Sydney, London and SanFrancisco that are fake copies of Carnival in Rio de Janeiro.

          Carnival grew out from the desperately poor people of the favelas who had no earthly way of achieving a fulfilled life. So they scraped together whatever they could beg borrow or steal and once a year dressed up and lost themselves for a week in a frenzy of samba music and dance and alcohol before returning once again the their miserable existence. And in that sense Gay Pride is similar. It is a desperate attempt to escape misery, while vainly claiming that homosexuality is equal to heterosexuality.

          This is clearly nonsense because heterosexual relationships produce the miracle of new life –  life that will carry forward new generations – and heterosexuals have no need to parade their their sexuality.     

Strangely enough in my book THE GULF “Reaping the Whirlwind” –  a series of stories about the misfits who wash up in The Arabian/ Persian Gulf – I do not deal with the issue of homosexuality because, in spite of the isolation of all male oil camps I only ever encountered one man who was possibly homosexual.

          Clive was my assistant project manager on a process plant commissioning project on a remote island in the Persian Gulf. He was an apparently rugged male, a combative and aggressive rugby scrum half – and he certainly never wore designer clothes – yet he formed close relationships with the young Arab males who worked as waiters and cleaners in our camp. He bought them (fake) Rolexes and Cartier tank watches, and brought them nice M&S clothing from the UK. Yet never once in the year I shared a trailer with him did he stay out at night, or bring any of the boys back to our trailer.

          So was Clive gay, or was he just a Westerner with a sense of guilt/highly developed social conscience? He was murdered in The Bahamas a year later trying to seperate two locals in a knife fight. I didn’t write Clive’s story, and maybe I should have done, because he was very decent human being.

          My book concentrates on American, British, Filipino and Indian expatriate misfits – VietNam vets, divorcees now remarried to Asian whores, marathon running addicts, college dropouts who love the lonely and atavistic desert etc. –  who wash up in The Gulf for whatever reason. And it puts their lives into a geo-political context.

You can preview my book at:

www.amazon.com/author/mikerichards

and download it if you have a KINDLE. If you do not, or you prefer a real book you can order from:

www.thebookdepository.co.uk

They offer free delivery worldwide

 

Stupid Women 2 . . . Hell on Earth

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          Perhaps, more than the threat of Hell’s Fire and Damnation in the afterlife women should fear the Hell on Earth of looking back in old age at their young, attractive and innocent selves, and wondering where it went all wrong.

          At the present moment there is a picture circulating on the Internet of a decrepit bag lady in a shabby mackintosh in down-at-heel sandals with thin stringy hair, corpulent and multi-chinned pulling a shopping trolley. The caption is “Guess Who?”

          Cruelly, the first picture is then backed up by pictures of a stunningly beautiful young woman, and the answer is “Christine Keeler”. This is the woman who as a barely legal teen slept with a British Minister of State, a Russian KGB colonel, and numerous Society people—and eventually brought down the government of the patrician Harold MacMillan.

          In kindness I have to say she was silly and star struck rather than stupid. Why was this poor little uneducated and rather dim village girl invited to orgiastic parties at the poolside of Lord Astor at his stately home, Clivenden, attended by politicians, diplomats, crooked property developers and members of so-called High Society? Because they are always on the lookout for something fresh to perk up their jaded appetites?

          I had some peripheral involvement in the Christine Keeler affair because I was for a year the Manager of SHELL’s aviation laboratory in Egham, the Thameside village where she lived. I never met her, but some of my lab assistants went to school with her. They say that she was unfortunate that at early puberty she transformed from a gawky ugly duckling that attracted nobody into a beautiful swan who attracted everybody. A child in a woman’s body.

         A year previously, when I was an RAF officer, and before the scandal broke, I was introduced to Antigoni the Royal portrait painter who was one of her clients. And I attended parties at Powis Terrace, a Peter Rachman (who was involved with Keeler through his girlfriend Mandy Rice-Davis) development in the then unfashionable and raffish Notting Hill.

          Now Christine is indigent and living on benefits, and is doomed to look at pictures of her young self and wonder what might have been if she had mixed with better company—like Layla, the Palestinian air hostess in my book THE GULF “Reaping the Whirlwind”.

          Yes Layla in her teens escaped the Palestinian refugee camps and hung out around the American University in Beirut working as a waitress and used her beauty to gain favours. But she passed herself off as a Lebanese Christian, made sure she learned good English, and never ever let her milk white skin turn brown in the sun. And so she landed a job with Middle East Airlines, had a hymen repair and snagged a rich Saudi husband fascinated by her apparent sophistication, and virginity.

          But life is cruel even for the young and beautiful. She could not produce a son, and so her Saudi husband divorced her. She went back to Palestine, converted to Christianity, and like most Levantine women ran to fat in her middle age. But she tried bravely to make a difference by running a Church of England orphanage near Ramallah—and was hassled by the Israelis and the Palestinians alike, her only ally a broken down old English expatriate.

        You can preview my book at:

www.amazon.com/author/mikerichards

and download it if you have a KINDLE. If you do not, or you prefer a real book you can order from:

www.thebookdepository.co.uk

They offer free delivery worldwide

 

 

Women should go forth modestly

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          This is what it says in the Christian Bible, and what the Prophet Mohammed (PBUH) said. Nowhere did he say that women should have their faces fully veiled and be covered from head to toe in shapeless black robes (the Abayah). This is tribal custom enforced by men.

          Even as recently as my Mother’s generation she and her friends would not dream of leaving the house without a headscarf covering her hair, and a coat covering her dress. She looked like the Egyptian women you see today who do not wear Abayahs, and yet are not fully Westernized. And if my Mother went to church she would certainly cover her head–and for weddings and funerals she would wear a hat with a veil.

So until about 50 years ago traces of Middle Eastern culture remained even in the UK. And it still persists of course most strongly in Spain where 700 years of Arab rule has left an indelible mark.

          At a recent art exhibition in our local village in the Valencia province I bought a painting of the roofs of our village from the perspective of the minaret of the mosque. (our mosque dates back more than 600 years and is not in use because it is unsafe). And amid the tumble of terracotta tiled roofs every house has a small rooftop courtyard. This was the territory of the women of the house where they would go unrobed and unveiled to wash and gossip.

          The apochryphal story is that the Muezzin who called the faithful to prayer from the minaret had to be blind so that he could not see the uncovered females of the village.

          If you want to know more about tribalism in the Middle East, and how since the 1970s their fabulous oil wealth is breaking down  tribalism in this fascinating and atavistic region read my book THE GULF “Reaping the Whirlwind”.  It is a linked series of stories set in The Arabian/Persian Gulf from the perspective of Western expatriates who have washed up there for whatever reason.

You can preview my book at:

http://www.amazon.com/author/mike richards

and download it if you have a KINDLE, if you do not, or you prefer a real book you can order from:

www.thebookdepository.co.uk

They offer free delivery worldwide

 

 

Stupid Women

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          Miss Piggy of Muppet fame was a brilliant comic invention because, like all true comic inventions, her role contains a strong thread of truth. In the main modern Western women are shallow, vain and entirely self-centred

          The recently released movie DIANA has been panned by the critics for lacking depth or complexity. How could it have: Diana was quintessentially shallow, vain and self-centered—an Essex Girl with a posh accent. Ava Gardener was honest when she said “I am not deep, just endlessly shallow.”

          And in a recent story Oprah Winfrey was incensed because while shopping for a handbag at a cost of US$ 28,000 in Geneva the typically haughty Swiss salesgirl doubted that an African-American could afford such extravagance. But the essence of this story is not the overt racism of the Anglo-Germanic races. The true essence is how any educated woman of whatever race, colour or creed could contemplate spending that much money on a handbag.

          I now know 9 women of a certain age whose husbands/partners have walked out after 20, 30 and even 40 years leaving them bitter, hostile and lonely and thinking that they have been hard done to. Yet these women treated their relationships/ marriages as a base of operations, lying or cheating or stealing from their partners (and in some cases all three). They neglected their relationship in favour of going to the spa, lunching with friends, and going boutique shopping every day to buy outrageously expensive items they could not afford.

          When I challenged one of them about her out-of-control spending she said “You don’t understand . . . it’s not a question of need . . . it’s a question of want.”

          They considered themselves independent women in the modern manner—but unlike the truly independent highly educated modern young girl who expects to go Dutch on a date, and when in a relationship pays her share of the bills, these women have never made a mortgage payment, or paid an electricity bill, or the land taxes. And what is more they expected their partners to subsidize their extravagant lifestyle. At least Oprah was spending her own money.

          In my book THE GULF: “Reaping the Whirlwind” I tell the stories of American and British expatriates who wash up in The Arabian Gulf for whatever reason—and mostly the reason is the infidelity and/or extravagance of their wives/lovers.

One story I did not tell is of a Third World Charlie who was fortunate enough to get an American Green Card in the lottery, and went to live in the USA. His wife, confronted with this consumerist Paradise, went crazy. At one point she bought 4 brand new cars on credit. He had to declare bankruptcy, sell his home, divorce his wife, and was fortunate enough to find high paid employment in The Gulf and get out of the deep hole dug by his wife’s greed.

          And like most of the other estranged males I know he is now a very happy man married to a lovely Filipina girl half his age (and one has married a very wealthy Swedish widow) while his ex-wife lives in lonely poverty. How stupid is that?

          You can preview my book of stories at:

www.amazon.com/author/mikerichards

and download it for US$2.99 if you have a Kindle. If you prefer a real book you can buy the paperback for Euros 12 from:

www.thebookdepository.co.uk

Enjoy

 

 

 

 

Irrestible Force meets Immovable Object(s)

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                         Another wonderful aspect of my last summer in Spain is how unchanging it is in spite of waves of aggressive, drunken and drugged-out Northern Europeans— and greedy property developers selling houses to people who should never come to Spain. They don’t like the heat, the food, the people—and they don’t understand the culture.

It is fiesta time in our local village— and all this week every midday a rocket soars into the sky and expires with a thunderous bang signaling the start of yet another party with running with the bulls through the streets etc.: and it ends at 2 am with fireworks. As a contrast to the noise and activity some evenings we go to the next town to a chiringuito (temporary beach bar) and sit with a glass of wine and a dish of olives watching the sunset as the fishing boats return to harbor.

These chiringuitos are on a rocky beach used by Spanish families (the N. Euros like the crowded sandy beach surrounded by fast food cafes and souvenir shops) who stay on the beach with their kids until the last gasp of sunshine having tapas and wine. And the Ninyos play in the rock pools catching small fish and pulpos (octopus). It’s not exactly duende —but it does induce a euphoria that is part of the Mediterranean experience. And this week we took the fast ferry to Eivissa (known as Ibiza to the non-stop party people) and stepped back even further in time.

Eivissa is very different to mainland Spain: it seems more like North Africa. No sloping terracotta clay tiled roofs or Tosca stone arches as we have in the province of Valencia: the houses are just simple unadorned flat-top white-washed cubes with dark squares of deep set windows.  When you see them under the brilliant vertical sunlight you understand cubist painting.

Landing in Sant Antoni you see the worst effects of Ibiza being the partying capital of Europe. Lovely young girls totter about the streets in stilettos, and little else, and the older women wear see through lace dresses with just a black lace thong underneath, while the young men stand around bare foot in swim shorts screwing T-shirts in their hands and arching their backs to display pink and muscular heavily-tattooed bodies. It is all very primal— or maybe it is feral.

There is a multitude of cafes selling fast food, and souvenir shops selling tat and tickets for that night’s raves in PACHA, or AMNESIA or F*** ME  I’M FAMOUS, or any of the other hedonistic mega-discos around the island—and unbelievably cocaine use is promoted openly.

Ibiza Town, the capital on the other side of the island, is very different. A typical old Spanish Puerto (port) of narrow streets clustered at the foot of an ancient Arab (or Crusader?) fort set high on the headland with individual boutiques selling Ibiza style— usually crumpled white linen for both sexes. And a new town of elegant name-brand shops, restaurants and cafes along wide avenues that radiate out from the port area, now converted to a smart marina.

We took coffee under the arches of the old theatre to escape the fierce midday heat. It was originally built in 1868 and still functions as a theater pub with musica en viva (live music) every night. 

Inside, like the saloons of the Wild West a long, dark and narrow well-stocked mahogany bar with a stage at one end—and the barman the ultimate immoveable object. Probably in his 60s, bullet headed and 5 by 5 of solid muscle—he could bounce any number of obstreperous youths onto the pavement outside. But he probably has no need. This is a venue for adults and not lager louts. What a pity we could not stay for the night. The compensation was late lunch at the ultimate chiringuito.

On a rocky promontory on the far side of the bay, just a steel container that serves as a bar and kitchen; plastic tables and chairs on gravel under canvas sails, and a simple menu that consists of sepia (cuttlefish), or sardinas, or gambas (prawns) or lubina (sea bass) a la plancha (on the grill hot plate with olive oil and garlic) with a tomato and raw onion salad and crusty bread to mop up the juices. And the wine list is simple too—you can have red or you can have white.

The cabaret was a bonus. Sunbathing on the rocks were 4 topless women, two naked women—and two naked men. All tastes tolerated in Ibiza. Life stripped down to the bare essentials in more ways than one. And so different to the fierce and sometimes barbaric bare essentials that I experienced in the Arabian/Persian Gulf. Eivissa may look North African and Arab, but it is a totally different world: the Arabian Gulf is no permissive and tolerant society. The women are covered from head to toe in black and shapeless robes—and faces are veiled. And the love that dare not speak its name truly dare not speak its name.

To get some insights into this cruel and fascinating and rapidly changing world read my book THE GULF “Reaping the Whirlwind”. You can preview it on my website:

www.amazon.com/author/mikerichards

and download it for just US$2.99 if you have a Kindle. Or, if you don’t and you prefer a paperback, you can purchase for just Euros 12 from:

www.thebookdepository.co.uk

They offer free delivery worldwide.

Duende, Cante Hondo . . . and all the Jazz

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                        The highlight so far of what will be my last summer in Spain was when I experienced “Duende” at a flamenco recital.

Deunde (Do-en-day) is literally a goblin in Spanish mythology, and “tener duende” (to have duende) is to experience a heightened sense of awareness, of a diabolical emocion, that gives you the chills, and raises the hairs on your arms and the back of your neck. Duende exists in all arts, but in its purest and most authentic form it exists in the first art forms of primitive man—the telling of folk tales in the forest clearing, and dance around the fire—and the accompanying music of drum and flute, the purest form of emotional expression— and in song, poetry set to music .

In Spanish flamenco Cante (can-tay) Hondo, literally deep song, is just that. According to the poet Federico Garcia Lorca cante jondo is the deepest most meaningful form of flamenco, “a rare example of the primitive songs of oriental people preserved in its purest form . . .  and the oldest song in Europe”. And the people who sing cante jondo struggle with a duende that threatens to overwhelm their technique and strangle their voice. It is an authentic emotion that comes from the internal tribal memories of suffering and hardship, the spilling of blood and imminent death.

I attended a flamenco recital in the function room of a Parador, one of the chain of state owned 5 star hotels, and a rather clinical environment. And the singer was a 30 something pretty Spanish woman—not at all the elderly and severe and serious hawk faced North African gypsy with huge sweat stains under her unshaven armpits that I had heard in the catacombs below the Plaza Mayor in Madrid 40 years earlier that put Spain in my soul forever.

And the virtuoso guitarist who accompanied this modern and younger singer was just 19 years old. They started gently enough with soft flamenco patterns on the guitar and nice controlled modern flamenco, and tango, and sevillanas—she even sang some soulful Portuguese fados and a song that sounded like Jewish Kletzmer to remind us of the strong presence of Jews in Andalucía centuries ago —and finished with a rousing flamenco piece. But the encores were the highlight.

 She came back and set aside the mic, and sang three Garcia Lorca poems in unaccompanied cante jondo that had the crowd growling: this affluent and elderly 60-something 5 star hotel Spanish crowd actually growling, and moaning  like primitives. The applause was thunderous from a crowd on its feet.

And then the guitar player started to finger the delicate filigree of soft flamenco patterns while his thumb plucking the bass strings in an insistent rhythm. And the singer segued into flamenco with a deep and rich and low toned contralto gradually ascending and sliding back down those hair-raising quarter tone oriental Arabic scales. And the rhythm became faster and the volume grew, and the crowd were stamping their feet like flamenco dancers, and clapping their hands in complex cross rhythms, until at the end the singer was shrieking and wailing in an unearthly fashion, the guitarist was threshing the strings, and the crowd were on their feet again—ecstatic: this 60-something 5 star hotel affluent Spanish crowd were ecstatic. Truly climatic. Ole. Viva Espanya.

Freud was wrong. The most compelling human drive is not the primal sex urge and orgasmic gratification. It is the search for the primitive tribal memories that haunted Nietzsche—for community, for humanity—the search for our soul, and an end to Soledad, being alone, metaphysical loneliness. And in jazz, and particularly in The Blues, it is the same.

The Blues, and Jazz, is all about having soul, and improvisation, about creating spontaneously music of that moment. Of being sent: of having duende. Of something welling up from inside and taking control, and your fingers or voice go where they want to and not at your bidding. And in The Blues “the sound of a good man hurting” you have the tribal memories of slavery and oppression, of suffering, of defiant field hollers and work songs, and Christian gospel music—man’s hopeless search for pure true love and the search for God.

And that is Mick McCallister’s hopeless search, the harmonica playing, Blues musician protagonist in my book THE GULF “Reaping the Whirlwind”. It is a classic hero’s journey as Mick, an idealistic young journalist, tries to write as honestly as possible the first rough draft of the history of The Arabian/Persian Gulf through the stories of expatriates washed up there for whatever reason. The world as it is, not as The West wants it to be. He fights the corruption and hypocrisy and the indifference and prejudices of his London editors no matter what the cost.

You can preview my book at:

www.amazon.com/author/mikerichards

and download it if you have a Kindle. If you do not, or you prefer a real book, you can order it from:

www.thebookdepository,co.uk

They offer free delivery worldwide

He who shouts the loudest . . .

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            . . . is the Winner

            “The Americans fought WWII against the Germans, with the help of the Russians, on behalf of the Jews”.

So went the opening of an article in NEWSWEEK some years ago, and it was incorrect in every fact. WWII began when Britain declared war on Germany because they marched into Poland intent on conquering Europe. America stayed out of this “European War” until Pearl Harbor, and the Russians signed a non-aggression pact with Hitler—and the plight of the Jews was never raised during the whole of the war. And after the war the horrors of AUSCHWITZ were not the centre piece of the grisly pictures of the Nazis’ concentration/labour/death camps. Yet the international edition of The Sunday Times this weekend had yet another article about Auschwitz.

Approximately 22 Million people died in various concentration camps of which about 6 Million were Jews. But there were also millions of non-Jewish Poles and French, and many thousands of Roma, homosexuals, political prisoners, Prisoners of War and common criminals exterminated in labour/death camps.

I am lucky/unlucky enough to remember WWII. I was 12 when it ended, and my father was a serious man who took and read two newspapers a day – three on a Sunday. Our house was full of news. During the war I remember nothing being reported of the plight of the Jews, and after the war the horrors of the concentration camps were depicted by Bergen-Belsen, Buchenwald and Dachau. Only much later were the horrors of Auschwitz detailed.  It was one of the biggest death camps and dedicated to the extermination of Jews – but it was not the biggest.

Who has heard of Mathausen-Gusen complex, which was the biggest, a category Stufe III labour camp dedicated to bone grinding down the intelligentsia of Europe, and where more than 300,000 died?  How many books, movies and magazine articles have been written about that camp?

I am not comfortable applying league tables to atrocities—the extermination of any group of humans be they Jews, Roma, homosexuals, intelligentsia—is a crime against humanity. But I am even less comfortable with people justifying evil because they had evil done to them. Perhaps it is my Christian upbringing but I find fanaticism, hate and terrorism despicable. Wreaking vengeance on those who did you evil is understandable—but savaging your friends because they do not support your extreme views (that ironically align closely with Fascism) is not.

Like most Brits, when the details of the Final Solution and the horrors of Auschwitz were revealed, I had enormous sympathy for The Jews. But this was dissipated by the activities of Irgun and The Stern Gang—the massacre at Beir Yassim, the assassinations of Lord Moyne and Folke Bernadotte, the bombing of the King David Hotel, the cold blooded execution of unarmed British soldiers, and the hanging of two captured British NCOs in an orchard, the pictures of which caused my grandmother to exclaim:

“Hitler wasn’t wrong.”

Even at my young age her comment made my blood run cold – but I do understand the strength of her emotions. She lost brothers in WWI, and she lost many nights sleep and died young because of the stress of WWII when her sons and their cousins went to war to fight the evils of Fascism. By some miracle they all survived—she did not.

            My grandmother was an Orange Lodge Protestant banner carrying Sermon on The Mount Socialist from Greenock, Scotland. She is the backbone of my book THE GULF “Reaping the Whirlwind”. She is real, and the stories in the book are journalistic, based on events I witnessed during 40 years in the Mideast, and the archetypes of the expatriate characters who wash up there for whatever reason.

            Read Layla and Uncle Tom’s story in my book: the Christian Palestinian woman and ruin of an elderly Englishman who against all the brutal odds tried to run a Church of England orphanage near Ramallah—and failed.

You can preview my book at:

www.amazon.com/author/mikerichards

and download it if you have a Kindle. Or if you prefer a paperback yo can buy from:

www.thebookdepository.co.uk

They offer free delivery worldwide

 

 

Moors & Christians go Hollywood

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Yesterday I blogged about the MOROS y CRISTIANOS Fiesta in our small Mediterranean town in Spain saying nobody wants to be a Christian because, while the Moors dress up in splendid robes and jewels and swagger down the avenida smoking fine Cuban cigars, the Christians drag along in grey chain mail and a white sheet with a red cross. Well they have solved the recruitment problem.

After a 10 year gap I attended the grand parade last evening and the Christians now swagger first down the avenida smoking cigars and dressed up in shiny armour and winged helmets that owe more to Darth Vader than history – in fact the whole parade in typically Hollywood fashion sacrifices history for effect and became more like glamorous Carnival in Rio.

The parade started with beautiful jet-black Andalucian stallions being ridden at high speed up and down the avenida, stopping occasionally to prance and dance. These are the tallest and most elegant horses you have ever seen – and they still have the pretty head and arched neck of their much smaller Arab thoroughbred ancestors. And the riders dressed like Russell Crowe in GLADIATOR.

Then came ranks of Christian soldiers looking very aggressive in their body armour carrying pikes and huge halberds and accompanied by bands playing with thunderous drumming, wailing fifes and triumphant sounding brass (the Spanish love noise but Alhamdulillah [Thanks to God] we were spared fireworks).

I thought Christianity was about peace and love, but these Christians, particularly the Knights Templars in their faces hidden behind highly polished medieval helmets with the pointed visors closed, and white banners with a black Maltese Cross, looked fuller of hate than love. And then a break from history: ranks of female soldiers with polished breast plates suitably modified and lots of flashing thigh between leather knee boots and micro- mini skirts.

And then another break with history:

A flock of geese being herded by two beautiful young maidens clad only in sackcloth (vestal virgins?), followed by simple little carts pulled by mules and containing goats and attended by more maidens throwing packets of raisins to the crowd – and then donkey carts being attended by Mexican peasants??????

But the Moors had the finale:

First a succession of scantily clad dancing girls waving flimsy veils around their bodies – how did Salome get in there? – or possibly they represented the concubines of the Harem? And close on their heels came the resplendent ranks of Moors looking much less warlike than the Christians, and hell bent on enjoying life. (Let’s face it the dancing girls were just ahead). And the same loud and insistent drumming, and the fifes now playing the sliding quarter tone Arab scales and not the Celtic pentatonics of the Christians – and the brass less triumphant but shouting defiance.

And then the grand finale:

A splendid Caliph in all of his pomp riding a huge ornate float pulled by two magnificent brown bulls (the ultimate Mediterranean symbol of masculine virility) attended by a bodyguard on a camel that also pranced and danced. The camel had  multi-coloured hand woven tribal saddle bags and tassles – and the dark skinned rider had the sky blue head dress of the TUAREG – the fiercely independent North African nomad.

            For all of its Hollywoodization this Fiesta still has meaning. It is a symbol of the ongoing ideological struggle between Christianity and Islam. But there is no animosity. No priests or Imams or mullahs are to be seen – and after the parade the Moors and the Christians pull the turbans and helmets off their sweaty heads and drink a beer or three, and have  a few tapas in one of the many bars that line our Calle de Marques de Campos.

            These troops of Moors or Christians, and their associated bands, come from the villages in the hills that surround us. This is the highlight of their year. Throughout the year they meet weekly to design and make the costumes, to rehearse the band and the swaying slow march that owes a lot to the Saudi Arabian Bedouin sword dance.

            The women sew, the men march, and little children start at 4 on kettle drum or fife. Teenage girls play flute or clarinet or dance the Dance of the 7 veils (or these days of equality march as soldiers), and fathers play saxophone and grandfathers play trombone or tuba. This is what builds a community and anchors it to its history.

            In Sha’Allah (God Willing) this Fiesta will never die, and In Sha’Allah I will see it again before I die.

            If my love of human history – and its indomitable spirit of survival in spite of the actions of venal, corrupt and incompetent politicians – is showing, then I am glad. To find out more about how The West has screwed up its relations with the Middle East and Islam read my book THE GULF “Reaping the Whirlwind”.

You can preview it by following my URL:

www.amazon.com/author/mikerichards

and download it as an E-book if you have a Kindle, or you can buy it in paperback from:

www.thebookdepository.co.uk

They offer free delivery worldwide.